Works

updated 3.10.2015 by ryan ross smith

 

This [incomplete and ongoing] list of works organized by instrumentation [and/or ensemble size/type] will hopefully serve as a resource for performers, composers and researchers alike. Each composition's author links back to their page, where you can find more information.



Solo


  • Phase Hero [for drumset and electronics]  :  Jordan Bartee
  • Lighthouses III [for cello]  :  Amit Bitton
  • Density Trajectory Study II [for electric guitar]  :  Nick Didkovsky
  • Zero Waste [for sight-reading pianist and computer]  :  Nick Didkovsky
  • Piano Extensions [for piano]  :  Jason Doell
  • Ramus [for solo instrument and electronics]  :  Alexander Dupuis
  • Piano Etudes [for piano]  :  Jason Freeman
  • Graph Theory [for violin or cello solo]  :  Jason Freeman
  • 2 Songs for Accordion [for accordion]  :  Guðmundur Steinn Gunnarsson
  • Harsamvaða [for piano]  :  Guðmundur Steinn Gunnarsson
  • Harfgreni [for just-intoned single string piano]  :  Guðmundur Steinn Gunnarsson
  • For Oskar [for cello]  :  Luke Harris
  • Junk [Disklavier and Piano]  :  Cat Hope
  • Solo [for slide whistle]  :  Andy Ingamells
  • Cello Hero: Andy Ingamells Edition [for cello]  :  Andy Ingamells
  • Line Studies no. 1 [for piano and computer]  :  David Kim-Boyle
  • Tunings [for cello and computer]  :  David Kim-Boyle
  • reTunings [for cello and electronics]  :  David Kim-Boyle
  • Valses and Etudes [for piano and computer]  :  David Kim-Boyle
  • Icicles of Rinnoji [for piano]  :  David Lieberman
  • Orpheus Down [for alto sax]  :  David Lieberman
  • Etude #9 [for flute]  :  David Lieberman
  • Etude #6 [for range/indeterminate]  :  David Lieberman
  • Etude #5 [for english horn]  :  David Lieberman
  • Etude #4 [for trumpet (Bb)]  :  David Lieberman
  • Etude #2 [for piano]  :  David Lieberman
  • Etude #1 [for range/indeterminate]  :  David Lieberman
  • Etude #10 [for saxophone]  :  David Lieberman
  • Etude #11 [for piano]  :  David Lieberman
  • Eartude 1 [for solo ear]  :  Cristyn Magnus
  • Eartude 2 [for stereo ears]  :  Cristyn Magnus
  • Eartude 3 [for whole head]  :  Cristyn Magnus
  • Toy Piano vs. Computer [for toy piano and computer]  :  Cristyn Magnus
  • vs. Computer [for percussion and computer]  :  Cristyn Magnus
  • Zoom Zoom [for solo voice]  :  Christian Marclay
  • Animated Score #4: Galactic Underworld [for piano]  :  Chris Marianetti
  • Fifteen Images (Le Jardin Pluvieux) [for piano]  :  Nigel Morgan
  • Continuum with Blues [for electric guitar and active notation system]  :  Nigel Morgan
  • standArts [for clarinet and laptop]  :  Harald Muenz
  • The SelfComposer [for oboe and laptop]  :  Harald Muenz
  • Flycatcher [for piccolo flute]  :  Jesper Pedersen
  • Laser Cat [for piano and electronics]  :  Jesper Pedersen
  • Laser Cat: The Christmas Edition [for piano with sound exciters, electronics, and video]  :  Jesper Pedersen
  • Hoofddorp [for electric guitar and computer]  :  Jesper Pedersen
  • Study no. 20 [for typatune solo (or laptop solo/ensemble)]  :  Ryan Ross Smith
  • Study no. 10 [claviset and electronics] [for claviset and electronics (piano, rhodes piano, or wurlitzer piano can be used)]  :  Ryan Ross Smith
  • Study no. 15b [for cello solo with optional electronics]  :  Ryan Ross Smith
  • Study no. 15b.1 [for violin or viola solo with optional electronics]  :  Ryan Ross Smith
  • Study no. 16 [NavavaN] [for percussion solo and electronics]  :  Ryan Ross Smith
  • Pram Tak Mir [for violin and pre-recorded electronics]  :  Sander Saarmets
  • Slices [for percussion and electronics]  :  Jacob Sello
  • norman (age 1) [for clarinet solo]  :  Mike Solomon
  • Source and Origins [for cello and electronics]  :  Paul Turowski
  • Hybrid VII (FractuReflex) [for accordion and live, interactive electronics]  :  Gerhard E. Winkler
  • Hybrid VI (ExCursions) [for drums and live, interactive electronics and video control]  :  Gerhard E. Winkler
  • Hybrid IV (Zoomed :: Fringes) [for flute(s) and live, interactive electronics]  :  Gerhard E. Winkler
  • Hybrid III (Clumps) [for bass and live, interactive electronics]  :  Gerhard E. Winkler
  • Hybrid II (NetWorks) [for viola and live, interactive electronics]  :  Gerhard E. Winkler
  • Hybrid I (SuperPoses) [for baritone saxophone and live interactive electronics]  :  Gerhard E. Winkler


  • Duo


  • 356° [for marimba and bass clarinet]  :  Áki Ásgierrson
  • raBalilabalila [for accordion and piano]  :  Guðmundur Steinn Gunnarsson
  • Vargarð [for violin and piano]  :  Guðmundur Steinn Gunnarsson
  • CalmUs [for 2 french horns]  :  Guðmundur Steinn Gunnarsson
  • Ferkul [for flute and live electronics]  :  Guðmundur Steinn Gunnarsson
  • y = f(x) [for 2 bass flutes]  :  Þráinn Hjálmarsson
  • Kingdom Come [for 2 laptops]  :  Cat Hope
  • Gouda [for Electric Harp, Krumphorn, Sheep Sound Boxes, Live Electronics and Arduino-controlled soap bubble machine]  :  Jesper Pedersen
  • Study no. 23.1 [Scrollbox (jp&kb)] [for 2 vocalists]  :  Ryan Ross Smith
  • Study no. 7 [for vibraphone, french horn, and electronics]  :  Ryan Ross Smith
  • 2 víti [for 2 electric guitars]  :  Bergrún Snæbjörnsdóttir
  • Duet SARC [for saxophone and piano]  :  Justin Wen-Lo Yang
  • Twins (Les arbres Va) [for Arabic oud, electric violin, and live, interactive electronics]  :  Gerhard E. Winkler
  • Entrop (Interactive Trilogy Part III) [for female voice, english horn, live interactive electronics, and upstream and resumed four-channel sound files]  :  Gerhard E. Winkler


  • Trio


  • ff [for 2 acoustic guitars and cello]  :  Þorkell Atlason
  • Kimi@Ibrasotope [for flute, saxophone, and piano]  :  Luciano Azzigott
  • Ramminjálgur [for flute, harp, and percussion]  :  Guðmundur Steinn Gunnarsson
  • Selbol [for 3 celli]  :  Guðmundur Steinn Gunnarsson
  • Present Time 1 [for accordion, theremin, and guitar]  :  Jesper Pedersen
  • Spooky Circle [for 3 theremins]  :  Jesper Pedersen
  • Silent Revolution [for string trio, or bass flute, bass clarinet, and double bass]  :  Lindsay Vickery
  • Les chambres separees (Interactive Trilogy Part I) [for saxophone, piano, drums, light color control, and live interactive electronics]  :  Gerhard E. Winkler


  • Quartet


  • Graphic Score [for organ, drums, guitar, and trombone]  :  Clara Claus
  • Hrammdæla 7 [for 4 recorders]  :  Guðmundur Steinn Gunnarsson
  • Nine Lullabies for Lanspil [for 4 langspil]  :  Guðmundur Steinn Gunnarsson
  • Mardigosa [for voice, saxophone, trumpet, and accordion]  :  Guðmundur Steinn Gunnarsson
  • Hrammdæla 6 [for 4 recorders]  :  Guðmundur Steinn Gunnarsson
  • Mardiposa [for mezzosoprano, alto saxophone, french horn, and accordion]  :  Guðmundur Steinn Gunnarsson
  • Hakkalamaka [for flute, bass clarinet, cello, and piano]  :  Guðmundur Steinn Gunnarsson
  • Boltatilraun 1 [for 4 saxophones]  :  Guðmundur Steinn Gunnarsson
  • The Possible Stories of Harry Power [for alto flute, bass clarinet, laptop, radio, and Max/MSP generated score]  :  Cat Hope
  • Liminum [for 1-4 Instruments with Bass Amps]  :  Cat Hope
  • Wolf at Harp [for 4 drum kits]  :  Cat Hope
  • Semi-Conducted 1 [for flute, clarinet, violin, and cello]  :  P. Hunter McCurry
  • Blátt er líka fínt! / Blue is also nice! [for airwavesrör, langspil, þyriltrommu, rope, and computer]  :  Jesper Pedersen
  • Infiltrationen [for 4 electric guitars and live electronics]  :  Stefan Prins
  • GENIV [for electric guitar quartet, processing, and live interactive scores]  :  Paul Turowski


  • Quintet


  • Nexus [for 5 wirelessly connected wind musicians]  :  Sandeep Bhagwati
  • Draumbót [for alto flute, bass clarinet, harp, piano, and percussion]  :  Guðmundur Steinn Gunnarsson
  • Atómas [for 5 langspil]  :  Guðmundur Steinn Gunnarsson
  • Longing [for 5 sustaining instruments]  :  Cat Hope
  • In The Cut [for 4 descending instruments and turntable or sine tone generator]  :  Cat Hope
  • Q-A [for 2 violins, viola, Bb clarinet, and piano]  :  Jesper Pedersen
  • Q-B [for 5 cellos]  :  Jesper Pedersen
  • Hajodakese [for 5 percussionists and electronics]  :  Jesper Pedersen
  • Study no. 19 [for brass quintet or any 5 instruments]  :  Ryan Ross Smith
  • _4 [for alto flute, bass clarinet, violin, percussion, and piano]  :  Þráinn Hjálmarsson
  • Agilus, Mimoid, Symmetriad [for flute, clarinet, viola, cello, and diffusion]  :  Lindsay Vickery
  • Antibody [for alto flute, clarinet, keyboard, cello and violin]  :  Lindsay Vickery


  • Sextet


  • pf [for 6 wooden organ pipes or wine bottles]  :  Þorkell Atlason
  • Spam [for clarinet, alto saxophone, percussion, violin, cello, and voice]  :  Luciano Azzigott
  • Juanita Nielson [2 Violas, 2 Celli, Piano, Electric Guitar]  :  Cat Hope
  • Platinum Fox [Bass Tuba, Bass Trombone, Violin, Cello, Double Bass and Timpani/Tubular Bells]  :  Cat Hope
  • Spurningaleikur [for accordion/melodica, viola, alto recorder, 3 aluminum cans, 2 percussion and ukulele]  :  Guðmundur Steinn Gunnarsson


  • Septet +


  • Nil Nisi Nive [for string quartet, percussion quartet, and networked score]  :  Sandeep Bhagwati
  • Laur [for flute, bass clarinet, bassoon, horn, trumpet, trombone, percussion, piano, 2 violins, viola, cello, and double bass]  :  Guðmundur Steinn Gunnarsson
  • Harskjall og svellkar [for flute choir (8/4/2)]  :  Guðmundur Steinn Gunnarsson
  • Handarbaka [for 8 bassoons]  :  Guðmundur Steinn Gunnarsson
  • Þrílækja [for 3 percussionists, 2 alto saxophones, 1 tenor saxophone, 2 violins and 1 viola]  :  Guðmundur Steinn Gunnarsson
  • Sculpture #2 [for 8 performers (4 in 2 groups)]  :  Þráinn Hjálmarsson
  • Bok [for 8 bassoons and 2 contrabassoons]  :  Þráinn Hjálmarsson
  • Hand of Clod [for 2 vocalists, string trio, and 2 turntablists]  :  Andy Ingamells
  • Mynes [for 7 bassoons]  :  Páll Ivan Pálsson
  • Study no. 12 [windmills] [for bottle blowers]  :  Ryan Ross Smith
  • Study no. 28.1 [5x1:5x3] [for 5 vocalists and 5 percussionists]  :  Ryan Ross Smith
  • Study no. 31.3 [for 12 (strings and winds)]  :  Ryan Ross Smith
  • lohanimalia [for bassoon, cello, thranophone, 2 double basses, electric guitar and percussion]  :  Bergrún Snæbjörnsdóttir


  • Electronics/Toys


  • Struttz [for circuit-bent toys quartet]  :  Jesper Pedersen
  • U.F.O.'s from Outer Space [for circuit-bent toys quintet]  :  Jesper Pedersen


  • Harp and Percussion


  • Njarharður [for harp and percussion]  :  Guðmundur Steinn Gunnarsson
  • Njarður [for harp and percussion]  :  Guðmundur Steinn Gunnarsson
  • Brú [for harp and percussion]  :  Þráinn Hjálmarsson
  • Það kemur í ljós / It comes into light [for harp and percussion]  :  Jesper Pedersen
  • Present Time 3 [for harp and steeldrum]  :  Jesper Pedersen
  • Study no. 21 [for Harp and Percussion] [for harp and percussion]  :  Ryan Ross Smith


  • Laptop Orchestra


  • SGLC [for 4 laptops and 4 performers]  :  Jason Freeman
  • Study no. 17 [for Laptop Orchestra]for 7 or more performers  :  Ryan Ross Smith


  • Percussion


  • Alien Lands [for 4 spatially-dispersed percussionists]  :  Sandeep Bhagwati
  • China Gates [for distributed tuned gong ensemble and satellite conducting]  :  Arthur Clay
  • Hundi [for 8 aluminum cans]  :  Guðmundur Steinn Gunnarsson
  • Stadlafell [for 5 percussionists]  :  Guðmundur Steinn Gunnarsson
  • Skula [for 2 percussionists]  :  Guðmundur Steinn Gunnarsson
  • Tvífleskja [for solo percussionist]  :  Guðmundur Steinn Gunnarsson
  • Percussion vs. Percussion [for 2 percussionists]  :  Cristyn Magnus
  • Fossgerdi [for small drums]  :  Páll Ivan Pálsson
  • Study no. 8 [15 percussionists] [for 15 percussionists (unpitched metals, wood, and pitched metals)]  :  Ryan Ross Smith
  • Study no. 15a [for Pauline Oliveros] [for 15 performers (clapping and vocalization)]  :  Ryan Ross Smith
  • Study no. 15a.1 [for 30 performers (percussion and vocalization)]  :  Ryan Ross Smith
  • Study no. 22 [for 24] [for 24 percussionists]  :  Ryan Ross Smith
  • Study no. 31 [for 7 triangles and electronics] [for 7 triangles and electronics]  :  Ryan Ross Smith
  • Kosko [for 4 perussionists]  :  Þráinn Hjálmarsson
  • Sometimes I Feel the Space Between People (Voices) in Terms of Tempos [for percussion duet]  :  Justin Wen-Lo Yang


  • String Quartet


  • Leave No Trace [for string quartet and live electronics]  :  Michael Alcorn
  • Monochrom [for string quartet]  :  Sandeep Bhagwati
  • Golma [for string quartet and live electronics]  :  Guðmundur Steinn Gunnarsson
  • Cruel and Usual [for string quartet, 4 bass amps, and Max/MSP]  :  Cat Hope
  • Palm Quart [for string quartet]  :  Randy Hostetler
  • Point Studies no. 3 [for string quartet]  :  David Kim-Boyle
  • Ideomania [for string quartet]  :  Alexander Ness
  • Study no. 3 [Canon] [for string quartet]  :  Ryan Ross Smith
  • SQ [for string quartet]  :  Paul Turowski
  • KOMA (Interactive Trilogy Part II) - String Quartet No. 2 [for string quartet, light color control, and live interactive electronics]  :  Gerhard E. Winkler


  • [Chamber] Ensemble/Orchestra


  • Remote Orchestra [for 48-piece string section and 24-person choir]  :  Richard D. James/Aphex Twin
  • Horpma III [for 27 plucked string instruments in just-intonation tuning]  :  Guðmundur Steinn Gunnarsson
  • Horpma IV [for 27 plucked string instruments]  :  Guðmundur Steinn Gunnarsson
  • Horpma [for 27 plucked strings]  :  Guðmundur Steinn Gunnarsson
  • MUB atrium - 2:21am [for cello, flute, clarinet or bass clarinet, percussion, string orchestra, and tape]  :  Mike Solomon


  • Open/Variable/Indeterminate Instrumentation


  • Animated Notation [for indeterminate instrumentation]  :  Taavi Aher
  • Refurbishment [for indeterminate instrumentation]  :  Amenity Space
  • GoingPublik [for distributed ensemble and mobile score synthesis]  :  Arthur Clay
  • Children of the Seventh Species: Reveal Yourselves [for indeterminate instrumentation]  :  Alexander Dupuis
  • It's Not an Intervention [for indeterminate instrumentation]  :  Alexander Dupuis
  • more or less [for indeterminate ensemble]  :  Karlheinz Essl
  • bitsmoke: 2005 [for 4 performers of indeterminate instrumentation]  :  Casey Farina
  • bitsmoke [for 4 performers of indeterminate instrumentation]  :  Casey Farina
  • When Will It End [for indeterminate instrumentation]  :  Paul Farrington
  • 4x4x4 [for any 4 instruments]  :  Luke Harris
  • Dozen it Make You Sick? [for indeterminate instrumentation]  :  Andy Ingamells
  • NYC_001 [for indeterminate instrumentation]  :  Antanas Jasenka
  • Animated Graphic Score 1 [for indeterminate instrumentation]  :  Leafcutter John
  • Point Studies no. 2 [for any 2 pitched instruments]  :  David Kim-Boyle
  • Point Studies no. 1a/1b [any 4 pitched instrument and computer or solo pitched instrument and computer]  :  David Kim-Boyle
  • Music for 4 [for any 4 instruments]  :  David Kim-Boyle
  • Music for 2 [for any 2 instruments]  :  David Kim-Boyle
  • Screenplay [for indeterminate ensemble]  :  Christian Marclay
  • The Bell and the Glass [for indeterminate ensemble of 2 or more]  :  Christian Marclay
  • Box Set [for indeterminate ensemble]  :  Christian Marclay
  • Pret-A-Porter [for indeterminate ensemble]  :  Christian Marclay
  • Chalkboard [for indeterminate ensemble]  :  Christian Marclay
  • Kvartett 7-15 [for somewhat variable quartet]  :  Guðmundur Steinn Gunnarsson
  • Kvartett 6: Koblakist [for somewhat variable quartet]  :  Guðmundur Steinn Gunnarsson
  • Kvartett 5: Deikokeitíponsa [for somewhat variable quartet]  :  Guðmundur Steinn Gunnarsson
  • Kvartett 4: Halanali [for somewhat variable quartet]  :  Guðmundur Steinn Gunnarsson
  • Kvartett 3: Sigliton [for somewhat variable quartet]  :  Guðmundur Steinn Gunnarsson
  • Hrammdæla 1-5 [for variable instrumentation]  :  Guðmundur Steinn Gunnarsson
  • Kvartett 2: Kvarandron [for somewhat variable quartet]  :  Guðmundur Steinn Gunnarsson
  • Kvartett 1: Lardipésa [for somewhat variable quartet]  :  Guðmundur Steinn Gunnarsson
  • Projected Notation [for 4 performers, indeterminate instrumentation]  :  Þráinn Hjálmarsson
  • LiquidScore [for any solo pitched instrument]  :  P. Hunter McCurry
  • Combat Music: games of strategic improvisation (Biplanes, Pong, Tanks) [for any 2 performers/instruments]  :  Cristyn Magnus
  • Akousmetria [for indeterminate instrumentation]  :  Alexander Ness
  • Dodging Bullets [for any instrumentation]  :  Keir Neuringer
  • Preludium [for indeterminate instrumentation]  :  Michael James Olson
  • Iridium [for indeterminate instrumentation]  :  Michael James Olson
  • Optical Scores [for indeterminate instrumentation]  :  Catherine Pancake
  • Flöskuhnakki / Bottleneck [for prepared plastic bottles]  :  Jesper Pedersen
  • White Lines (#1-#9) [for indeterminate instrumentation]  :  Marina Rosenfeld
  • My red, red blood [for indeterminate instrumentation]  :  Marina Rosenfeld
  • Reading [for indeterminate instrumentation]  :  Charles Ross
  • Sandbox [for indeterminate instrumentation]  :  Charles Ross
  • Volumes [for any instrumentation]  :  Jim Ryan
  • Tropical Fish Opera [for 4 indeterminate instruments]  :  Ramon Sender
  • Study no. 1 [spoke] [for 8 or more sustaining instruments]  :  Ryan Ross Smith
  • Study no. 2 [for vocalist, piano, and 4 or more instruments]  :  Ryan Ross Smith
  • Study no. 4 [big bear] [for 5 instruments]  :  Ryan Ross Smith
  • Study no. 5 [rainbow] [for 1 or more instruments/vocalists]  :  Ryan Ross Smith
  • Study no. 6 [escalators] [for 5 or more instrumentalists/vocalists]  :  Ryan Ross Smith
  • Study no. 11 [4+4] [for 4 performers with 4 distinct sounds each]  :  Ryan Ross Smith
  • Study no. 13 [for 2 or more performers with 4 distinct sounds each and electronics]  :  Ryan Ross Smith
  • Study no. 14 [duos] [for 2 performers]  :  Ryan Ross Smith
  • Study no. 28 [for up to 16 performers] [for indeterminate instrumentation]  :  Ryan Ross Smith
  • Study no. 39 [for 5 or more performers]  :  Ryan Ross Smith
  • Mad Scientist Machine [for indeterminate instrumentation]  :  Stefan Smulovitz
  • six cercles [for any 6 instruments]  :  Mike Solomon
  • Animated Scores 139-149 [for any instrumentation]  :  Andre Vida
  • LiveScore [for any number of performers and any instrumentation]  :  Harris Wulfson
  • tutti, duet, trio, solo, quartet [for indeterminate ensemble]  :  Justin Wen-Lo Yang


  • Concerto/Enemble-with-Soloist


  • Marfjall og hafkar [for flute choir and contrabass flute solo]  :  Guðmundur Steinn Gunnarsson
  • Electric Light Orchestra [for harp, orchestra and lights]  :  Jesper Pedersen


  • Dance


  • Study no. 24 [dance1] [for 3 dancers]  :  Ryan Ross Smith


  • Voice(s)/Speaker(s)


  • Harmaaarg [for solo voice]  :  Guðmundur Steinn Gunnarsson
  • Shalote [for 2 voices and electronics]  :  Guðmundur Steinn Gunnarsson
  • d(r)e(i)Chiffrage [for 3 speakers]  :  Harald Muenz
  • deChiffrAGE [for speaker and laptop]  :  Harald Muenz
  • de[ux] ChiffrAGE [for 2 speakers]  :  Harald Muenz
  • Present Time 2 [for voice and piano]  :  Jesper Pedersen
  • Mai:Knospen [for 6 singers]  :  Stephan Elliot Perez
  • Follow the Lederhosen [for 25 performers]  :  Jim Ryan
  • Deep in Here [for at least 9 performers, divided randomly into 3 groups]  :  Jim Ryan
  • Study no. 35 [for 50 singers or instrumentalists]  :  Ryan Ross Smith
  • Study no. 44 [Lecture1] [for 1 speaker and electronics]  :  Ryan Ross Smith
  • Study no. 45 [Lecture2: On Pi] [for 3 speakers and optional electronics]  :  Ryan Ross Smith
  • Study no. 46 [for vocalists]  :  Ryan Ross Smith
  • Hybrid V (MorphoPhrenics) [for female voice, live interactive electronics, and video projections]  :  Gerhard E. Winkler


  • Installation/Interactivity/Event


  • Book of Stamps [installation]  :  Arthur Clay
  • The Locust Tree in Flower [physical installation for single person/performer]  :  Jason Freeman
  • Flock [for saxophone quartet, electronic sound, video, dancers, and audience participation]  :  Jason Freeman
  • Glimmer [for strings, percussion, live electronics, audience lightsticks, video cameras, computer processing in Max/Jitter, computer-controlled multi-colored lights, video projection]  :  Jason Freeman
  • Martenot-Nancarrow [interactive cylinder: notation and sound]  :  Lars Kynde
  • Composition Machine No. 4 "Wandelende Tak" [for computer-controlled bell machine]  :  Lars Kynde
  • ANITFOACB (A Novel in the Form of a Car Bomb Composition) [for chorus and octophonic vehicular orchestra]  :  Chris Marianetti
  • Color a Sound [installation]  :  Blair Neal
  • Study no. 30 [for 0 to 15 percussion instruments]  :  Ryan Ross Smith
  • Terra Incognita [concert installation for ensemble (7 players), female voice, real-time scores, video projection, interactive interfaces, public spaces, and live electronics]  :  Gerhard E. Winkler
  • Heptameron [interactive opera for 3 voices (mezzo, counter-soprano, baritone), saxophone, accordion, viola, sensors, color-light control, video and live electronics]  :  Gerhard E. Winkler
  • To-/ With / - Worlds (Les Arbres IVb) [interactive environment for saxophone, piano, drums, real-time scores, facilities, and live electronics]  :  Gerhard E. Winkler


  • Return to Home

  •