SpectraScore VR: Networkable virtual reality software
tools for real-time composition and performance
Benedict Eris Carey, NIME 2016.
Homenaje a Cervantes: for Violin, Computer and Projections
Richard Hoadley, TENOR 2017 Proceedings.
Terraformation: for Violin or Viola and Computer
Seth Shafer, TENOR 2017 Proceedings.
Timed Sequences: A Framework for Computer-Aided Composition with Temporal Structures
Jeremie Garcia, Dimitri Bouche and Jean Bresson, TENOR 2017 Proceedings.
Performer Action Modeling in Real-Time Notation
Seth Shafer, TENOR 2017 Proceedings.
Notated Control as Composed Liveness in Works for Digitally Extended Voice
Kristina Warren, TENOR 2017 Proceedings.
SmartVox - A Web-Based Distributed Media Player as Notation Tool for Choral Practices
Jonathan Bell and Benjamin Matuszewski, TENOR 2017 Proceedings.
An Architectural Approach to 3D Spatial Drum Notation
Jeremy J. Ham, TENOR 2017 Proceedings.
The 3-D Score
David Kim-Boyle, TENOR 2017 Proceedings.
A Combination of Graphic Notation and Micro-Tonal Pitch Notation in the Video Score of the Opera "The Cross of the Engaged"
Christian Klinkenberg, TENOR 2018 Proceedings.
Reframing the Listening Experience through the Projected Score
David Kim-Boyle, TENOR 2018 Proceedings.
DADA: Non-Standard User Interfaces for Computer-Aided Composition in Max
Daniele Ghisi and Carlos Agon, TENOR 2018 Proceedings.
A Cognitive Dimensions Approach for the Design of an Interactive Generative Score Editor
Samuel J. Hunt, Tom Mitchell and Chris Nash, TENOR 2018 Proceedings.
Symbolist: An Open Authoring Environment for User-Defined Symbolic Notation
Rama Gottfried and Jean Bresson, TENOR 2018 Proceedings.
ZScore: A Distributed System for Integrated Mixed Music Composition and Performance
Slavko Zagorac and Patricia Alessandrini, TENOR 2018 Proceedings.
Improving Sight-Reading Skills through Dynamic Notation - The Case of Comprovisador
Pedro Louzeiro, TENOR 2018 Proceedings.
Exploring with ILEA Ensemble: Shaping Freedom in Improvised Music
Kevin Gironnay, TENOR 2018 Proceedings.
John, the Semi-Conductor: A Tool for Comprovisation
Vincent Goudard, TENOR 2018 Proceedings.
LINEAR (Live-Generated Interface and Notation Environment in Augmented Reality
Giovanni Santini, TENOR 2018 Proceedings.
Audiovisual Scores and Parts Synchronized over the Web
Jonathan Bell, TENOR 2018 Proceedings.
Towards Responsive Scoring Techniques for Networked Music Performances
Rebekah Wilson, TENOR 2019 Proceedings.
Palace64: Impossible Roller Coasters as Scores for Experimental Music Performance
Luke Nickel, TENOR 2019 Proceedings.
3D Scores on the Hololens
David Kim-Boyle and Benedict Carey, TENOR 2019 Proceedings.
Performing the Compositional Act with Bouncy Castles, Soap and Shh
Andy Ingamells, TENOR 2019 Proceedings.
Animated Notation, Score Distribution and AR-VR Environments for Spectral Mimetic Transfer in Music Composition
Jonathan Bell and Benedict Eris Carey, TENOR 2019 Proceedings.
Ergodic and Emergent Qualities of Real-Time Scores: Anna & Marie and Gamified Audiovisual Compositions
Andreas Pirchner, TENOR 2020 Proceedings.
Super Colliders: A Gamified Screen-Score
Takuto Fukuda, TENOR 2020 Proceedings.
Interactive Timeshaping of Musical Scores with Bach and Cage
Daniele Ghisi, Andrea Agostini and Eric Maestri, TENOR 2020 Proceedings.
Networked Comprovisation Strategies with ZScore
Slavko Zagorac and Michael Zbyszynski, TENOR 2020 Proceedings.
Geometric Notation for Time-Bracket Works, Applications and Performance: The Case of John Cage's Music for ___
Mikhail Malt and Benny Sluchin, TENOR 2020 Proceedings.
Aiding the Performance of Tempo Canon: New Technology in Studies 1, 2 and 3 for String Quartet
James Opstad, TENOR 2020 Proceedings.
Symbolising Space: From Notation to Movement Interaction
Katerina El Raheb, Marina Stergiou, Akrivi Katifori and Yannis Ioannidis, TENOR 2020 Proceedings.
Action Scores and Gesture-Based Notation in Augmented Reality
Giovanni Santini, TENOR 2020 Proceedings.
Using Gesture Data to Generate Real-Time Graphic Notation: A Case Study
Gil Dori, TENOR 2020 Proceedings.
Jam Tabs: A Color Based Notation System for Novice Improvisation
Torin Hopkins and Ellen Yi-Luen Do, TENOR 2020 Proceedings.
Resurfacing Mechanics and Action in Music Notation: The MUSICWRITER
Mauricio Rodriguez, TENOR 2020 Proceedings.
NEXUS: Live Notation as a Hybrid Composition and Performance Tool
Sam Hayden and Mieko Kanno, TENOR 2020 Proceedings.
Do Desenho e do Som: Harmonising Screen Scores and Listening
Lopes, Filipe. "Do Desenho e do Som: Harmonising Screen Scores and Listening." Organised Sound 19, 3 (December 2014): 228-238.
Visual Design of Real-Time Scores
Kim-Boyle, David. "Visual Design of Real-Time Scores." Organised Sound 19, 3 (December 2014): 286-294.
Livecell: Real-Time Score Generation Through Interactive Generative Composition
Ash, Kingsley and Dr. Nikos Stavropoulos
Automatic Notation Generators
Barrett, G. Douglas, Michael Winter, and Harris Wulfson
LiveScore: Real-Time Notation in the Music of Harris Wulfson
Barrett, G. Douglas and Michael Winter. "LiveScore: Real-Time Notation in the Music of
Harris Wulfson." Contemporary Music Review 29, 1 (February 2010): 55-62.
The Wrist-Conductor
Clay, Arthur and Dennis Majoe. "The Wrist-Conductor." Proceedings of the International Conference on New Interfaces for Musical Expression, New York, New York, June 6-10, 2007.
Unbounded: Aos & The GoingPublik Software
Clay, Arthur, Thomas Frey, and Jürg Gutknecht. "Unbounded: Aos & The GoingPublik Software."
A GPS Interface for Public Art Use
Clay, Arthur and Dennis Majoe. "A GPS Interface for Public Art Use." Proceedings of SIGGRAPH 2006, Boston, Massachusetts, July 30-August 3, 2006.
Inventing Malleable Scores: From Paper to Screen Based Scores
Clay, Arthur. "Inventing Malleable Scores: From Paper to Screen Based Scores." Digital Art Weeks and Interactive Futures 2006/2007, Zurich, Switzerland and Victoria, BC, Canada. Selected Papers.
Preface: Virtual Scores and Real-Time Playing
Clay, Arthur and Jason Freeman. "Preface: Virtual Scores and Real-Time Playing."
Contemporary Music Review 29, 1 (February 2010): 1-2.
You Can Play It Too: The Virtuoso Audience
Clay, Arthur. "You Can Play It Too: The Virtuoso Audience." Contemporary Music
Review 29, 1 (February 2010): 63-73.
Extending Music Notation Through Programming
Roger B. Dannenberg
Density Trajectory Studies: Organizing Improvised Sound
Didkovsky, Nick. "Density Trajectory Studies: Organizing Improvised Sound."
Contemporary Music Review 29, 1 (February 2010): 75-80.
Real-Time Notation Using Brainwave Control
Eaton, Joel and Eduardo Miranda
Real-time Composition as Performance Ecosystem
Eigenfeldt, Arne. "Real-time Composition as Performance Ecosystem." Organized Sound 16, 2 (June 2011): 145-153.
Technology, Real-Time Notation, and Audience Participation in Flock
Freeman, Jason and Mark Godfrey
Tools for Real-Time Music Notation
Freeman, Jason and Andrew Colella. "Tools for Real-Time Music Notation."
Contemporary Music Review 29, 1 (February 2010): 101-13.
For Jason Freeman's more comprehensive list, click here.
Extreme Sight-Reading, Mediated Expression, and Audience
Participation: Real-Time Music Notation in Live Performance
Freeman, Jason. "Extreme Sight-Reading, Mediated Expression, and Audience
Participation: Real-Time Music Notation in Live Performance." Contemporary Music Journal 32, 3 (Fall 2008): 25-41.
Real-time Score Generation for Extensible Open Forms
Kim-Boyle, David. "Real-time Score Generation for Extensible Open Forms."
Contemporary Music Review 29, 1 (February 2010): 3-15.
Extending the KLANGPILOT Score Language for Real-Time Notation
Kretz, Johannes. "Extending the KLANGPILOT Score Language for Real-Time Notation."
Contemporary Music Review 29, 1 (February 2010): 29-37.
Real-Time Music Notation in Mixed Laptop–Acoustic Ensembles
Lee, Sang Won and Jason Freeman
Real-Time Music Notation, Collaborative Improvisation, and Laptop Ensembles
Lee, Sang Won, Jason Freeman, and Andrew Collela
Live Random Concepts and Sight-Reading Players: The Role of the Computer in the Era of Digested Digitalism
Muenz, Harald. "Live Random Concepts and Sight-Reading Players: The Role of the
Computer in the Era of Digested Digitalism." Contemporary Music Review 29, 1 (February 2010): 81-7.
Notating the Unpredictable
Rebelo, Pedro. "Notating the Unpredictable." Contemporary Music Review 29, 1
(February 2010): 17-27.
Virtuoso Audiovisual Realtime Performance
Weixler, Andreas, and Se-Lien Chuang
The Realtime-Score: A Missing-Link in Computer-Music Performance
Winkler, Gerhard E. "The Real-Time-Score: A Missing-Link in Computer-Music Performance."
The Real-Time-Score: Nucleus and Fluid Opus
Winkler, Gerhard E. "The Real-Time-Score: Nucleus and Fluid Opus." Contemporary
Music Review 29, 1 (February 2010): 89-100.